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- <text id=89TT0981>
- <title>
- Apr. 10, 1989: A Soviet Sampler
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1989
- Apr. 10, 1989 The New USSR
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- CRITICS' CHOICE, Page 3
- A SOVIET SAMPLER
- </hdr>
- <body>
- <p>ART
- </p>
- <p> MIKHAIL NESTEROV, Central Exhibition Hall, Moscow. Works of
- art--some never before exhibited--by Russian master Mikhail
- Nesterov (1862-1942), from the Tretyakov Gallery and Moscow
- private collections. Included is his Russia, the Soul of the
- People, symbolic of Russia's historical spiritual quest,
- depicting the religious philosopher Vladimir Solovyov and Leo
- Tolstoy walking along the banks of the Volga among multitudes
- of Russian people of different epochs.
- </p>
- <p> PYOTR BELOV, Tverskoi Boulevard 11, Moscow. Twenty-two
- allegorical works about Stalin's reign of terror, by the
- theater artist Pyotr Belov (1929-88). Among the most damning:
- one portraying antlike columns of Gulag prisoners emerging from
- a pack of Belomor cigarettes--a reference to the forced labor
- that built the Belomor canal--and another showing Stalin up
- to his boots in a sea of dandelions imprinted with the faces of
- his victims.
- </p>
- <p>MOVIES
- </p>
- <p> LONELY WOMAN SEARCHING FOR A LIFE COMPANION. Preferably a
- single Moscow male, but not this one: he insults, robs, then
- leeches on the lonely 43-year-old who placed the ad. Director
- Vyacheslav Krishtofovich locates Soviet malaise in this wry
- fable of a modern Soviet woman desperately seeking Comrade
- Right.
- </p>
- <p> PAIN. Director Sergei Lukyanchikov's critical documentary
- on the Afghanistan war. In one of the most striking scenes, a
- veteran who lost an arm asks, "If (the Afghans) came here to
- help us `build socialism,' how would we react?" Answering his
- own question, he admits, "They hated us."
- </p>
- <p> CONFESSION. A CHRONICLE OF ALIENATION. A shocking and
- realistic documentary by director Georgi Gavrilov about a young
- high school dropout and drug addict, the grandson of a
- labor-camp officer, who searches for identity in an apathetic
- society.
- </p>
- <p> NOSTALGHIA. A Russian writer seeks a cure that will end the
- pain of his nostalgia, with tragic results, in the film by
- director Andrei Tarkovsky starring Oleg Yankovsky. A
- Soviet-Italian co-production.
- </p>
- <p>BOOKS
- </p>
- <p> LIFE AND DESTINY by Vasili Grossman (Knizhnaya Palata,
- 1988). An epic novel about the Battle of Stalingrad that some
- call the 20th century's War and Peace. Completed in the 1960s,
- the book was suppressed during Khrushchev's regime for daring
- to agonize over the conflict between personal freedom and
- Communism.
- </p>
- <p> THE NIGHT WATCH by Mikhail Kurayev (Novy Mir, No. 2, 1989).
- A fascinating journey inside the mind of a fictional secret
- policeman, Comrade Polubolotov, who helped carry out the
- murderous Stalinist purges of the 1930s but insists he was
- merely "a soldier."
- </p>
- <p> ANIMAL FARM by George Orwell (Rodnik, Riga, Nos. 3-6,
- 1989). The famous 1945 critique of totalitarianism sold out
- immediately.
- </p>
- <p> STORIES by Oleg Yermakov (Znamya, No. 3, 1989). Two short
- stories by a 28-year-old veteran of the Afghan conflict sketch
- a vivid and unromanticized picture of war that is reminiscent
- of Michael Herr's Dispatches, a book about American G.I.s in
- Viet Nam.
- </p>
- <p> THERE IS NO ALTERNATIVE edited by Yuri Afanasayev (Progress
- Publishers, 1988). The definitive, argument-provoking
- collection of essays by such high priests of perestroika as
- Andrei Sakharov, economist Tatyana Zaslavskaya and Novy Mir
- editor in chief Sergei Zalygin.
- </p>
- <p>TELEVISION
- </p>
- <p> JUST A COUPLE OF WORDS IN HONOR OF MR. DE MOLIERE. First
- produced 16 years ago by Anatoli Efros, this program based on
- Mikhail Bulgakov's works fell into disfavor because Culture
- Ministry bureaucrats disapproved of director Efros' and leading
- actor Yuri Lyubimov's liberal views.
- </p>
- <p> TELEVISION ACQUAINTANCE. Backstage squabbling at the
- Bolshoi: intrepid Estonian journalist Urmas Ott gets to the
- bottom of it during a revealing 90-minute interview with prima
- ballerina Maya Plisetskaya.
- </p>
- <p> PLENUM INFORMATION BROADCAST. What goes on behind closed
- doors when the Communist Party Central Committee holds its
- plenary sessions? A realistic, if edited, glimpse of glasnost
- in action.
- </p>
- <p>THEATER
- </p>
- <p> THE MAIDS, Satirikon Theater, Moscow. In drag and wearing
- extravagant eye makeup, Konstantin Raikin stars in a rare
- Russian version of Jean Genet's sadomasochistic melodrama,
- directed by Roman Viktyuk.
- </p>
- <p> STARS IN THE MORNING SKY, Contemporary Theater, Moscow.
- Galina Volchek directs a superbly acted indictment of the
- Brezhnev years, a play depicting how drunks, prostitutes and
- madmen were swept off the streets of Moscow and into exile as
- Soviet authorities polished up the capital on the eve of the
- 1980 Olympic Games.
- </p>
- <p> NOTES FROM UNDERGROUND, Moscow Theater for Young
- Spectators. Soviet audiences are no longer shocked by
- Dostoyevsky's long-banned philosophical ramble or, for that
- matter, by the full frontal nudity staged by director Kama
- Ginkas.
- </p>
-
- </body>
- </article>
- </text>
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